US ASIANS:
Could you expand on how you equate Chinese opera as a "cultural symbol?"
DAVID HENRY HWANG:
Quite simply, it's a form which most Chinese, whether they enjoy
it or not, recognize as part of their theatrical heritage. Like
Shakespeare in the West, it therefore assumes an iconic cultural
status.
US ASIANS:
Is there any
situation, environment, genre, etc. that could represent a "cultural
symbol" for the Asian Pacific American communities?
DAVID HENRY HWANG: I
think many of us APA (Asian Pacific American) artists are trying
to find/develop one.